At Proscenium, I was the Lead Designer on long-term accounts such as Harley-Davidson, Lowe's, and
T-Mobile. Big brands, big rooms.

The work wasn’t just about aesthetics — it was about figuring out how to take a company's goals and turn them into something an audience could feel. I designed massive-format screen graphics and full environmental collateral, art directed a team of designers, and made sure everything — from the main-stage keynote to the smallest breakout session — felt cohesive and purposeful.

Live production isn't very forgiving. Every decision had to be balanced. Fresh enough to be memorable, grounded enough to stay on-brand.